Bundle Includes
- Atomos Ninja Flame 7in. 4K HDMI Recording Monitor
- Large Photo/Video Backpack for DSLR Camera, Lens and Accessories
- Sandisk Extreme PRO SDXC 32GB UHS-1 Memory Card, Up to 95/90MB/s Read/Write Speed
- Corel Paint Shop Pro X9 (Digital Download Card)
Product Features
AtomHDR
Camera Log (S-Log2, S-Log3, C-Log, V-Log etc) delivers maximum sensor detail in your recordings, but on monitors it looks washed out & makes judging exposure difficult. The compromise for filmmakers is to use LUT's to get the approximate "look" but sacrifice detail or use calibration cards, waveform & some “rule of thumb” figures to set exposure correctly. AtomHDR is the solution, accurately displaying HDR Log footage with the brightness to see Log as the eye sees it.
SCENES IGNITE WITH 1500NITS OF LIGHT
Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor monitoring..
Simply pick the right mode, HDR or High Bright SDR, and get busy setting up your shot on the premium 7" display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.
GET MORE FROM YOUR DSLR
The perfect partner for DSLR and Mirrorless cameras with Log output over HDMI. From gimbal operators to Corporate to Indy filmmakers, your recordings are instantly upgraded to the defacto standard for Hollywood, Indie & Broadcasters (ProRes and DNxHR), ensuring you're not technically rejected in Post and letting you see the detail of your camera's Log on set with natural colors on the calibrated 7" AtomHDR High Bright monitor.
AFFORDABLE, RELIABLE MEDIA
The combination of high capacity media with recording direct from the sensor means that the conventional 30min barrier imposed by many cameras can be bypassed.
RECORD PROFESSIONAL 4K & HD
Recording 4K and high frame rate HD within the camera might seem enough but unless you record with the right codec you're restricting flexibility in post and even run the risk of having your footage technically rejected. Along with the high pixel density of 4K, the Ninja Flame records higher resolution 10-bit color information, more precise yet efficient 4:2:2 color encoding and to visually lossless, edit-ready codecs like Apple ProRes or AVID DNxHR.
Now you're recording professionally, capturing full individual frames just like film and opening up more creativity in post and grading. Additionally, bypassing internal recording also bypasses the 30min recording barrier found on many Mirrorless/DSLR cameras.
SIMPLE OS, SOPHISTICATED SHOTS
Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.
CONTINUOUS POWER IS BACK... WITH SUPER FAST CHARGING
Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (optional accessories) means that continuous power in the field is all but assured.
ADVANCED DSLR AUDIO MONITORING
Record audio as well as video externally on the Ninja Flame. Monitor up to 8ch of HDMI audio or 2ch analog line in on the dedicated audio meters, all locked frame accurate with adjustment for frame delay, gain adjustment and Mic level adjustment when using external microphones (3.5mm unbalanced input).
ADVANCED RECORDING CAPABILITY
Outside of 10-bit 4:2:2 ProRes/DNx, the Ninja Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.
BATTLE-READY! FOR THE FIELD.
Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.
Product Specifications
Weight
- Without batteries & media: 620g / 21.9oz
- With batteries & media: 1064g / 37.5oz
- Dimensions (W x H x D mm): 214 x 127 x 45mm, 8.4 x 5 x 1.8"
- Construction: High quality lightweight ABS Polycarbonate for durability & portability, Built-in armor protection
Power
- Operating power: 10 - 24W
- Compatible batteries: NP-F series and supporting accessories
- Input voltage (battery): 6.2V to 16.8V
- Battery time: (based on 2 x 7.4V batteries) -
5200mAh - up to 1.5hrs (monitor & record 4K 30p)
7800mAh - up to 2.2hrs (monitor & record 4K 30p) - DC In: 1 x DC in (6.2 - 16.8V)
- Continuous power ** Patent pending: Primary-secondary battery system, Change batteries without losing power, Loop batteries continuously
Touchscreen
- Size: 7.1"
- Resolution: 1920 x 1200
- PPI: 325
- Aspect ratio: 16:9 native
- Color Gamut: REC709 HDTV
- Look up table (LUT) support: 3D LUT (.cube le format)
- Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
- Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
HDR
- AtomHDR: Yes
- Supported Log formats: Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm - Supported Gamuts: Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut - Bit depth: 10-bit (8+2 FRC)
- Brightness: 1500nit (+/- 10% @ center)
- HDR input (PQ/HLG): Yes / Yes
- HDR output (PQ/HLG): Yes / Yes
Video Input/Loop Out
- HDMI: 1 x HDMI (1.4b)
- SDI: -
- Signal: Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
- HDMI: 1 x HDMI (1.4b)
- SDI: -
- Signal: Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
- HDMI to HDMI: 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120, 2160p 24/25/30 - SDI to SDI: -
Video Signal Conversion
- HDMI to SDI: -
- SDI to HDMI: -
Supported Codecs & Frame Rates (Record & Playback)
- Raw Record*:
- Sony FS5/FS7^^/FS700
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30
1080; - Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080; - Panasonic VaricamLT CDNG*
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
- Raw to ProRes / DNxHR
- Sony FS5/FS7/FS700*
- ProRes (HQ, 422, LT)
- DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30p
4K UHD;
2K; 24/25/30
1080; - Canon C300MKII/C500
- ProRes (HQ, 422, LT)
- DNxHR (HQX, HQ, SQ, LB)
4K DCI; 24/25/30p
4K UHD; 24/25/30p
2K;
1080;
- Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper)
- Codecs:
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB - Frame rates:
4K UHD; 24/25/30p
1080p; 24/SF24/25/SF25/30/SF30/50/60/100^/120p^
1080i; 50/60i
720p; 50/60p
Onboard Processing
- Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown) - 4K UHD downscale for HD monitoring: Yes - Loop-out and playback
Audio In/Out (48kHz PCM Audio)
- HDMI: 2 or 8ch 24-bit, camera dependent
- SDI: -
- Audio: Line in / Mic in / Headphone out 2ch 48kHz 24-bit
Remote Start/Stop
- HDMI: Auto HDMI Trigger
- Supported Protocols: Canon, Sony, Atomos Open Standard
- SDI: -
- Other: LANC control - Slave
Playback
- Playlist / Genlock / LTC: Yes / No / No
- CDNG (Recorded content): No support
- ProRes (Recorded content): All recorded files can playback. Playback in slow motion >= 100fps
- DNxHR / DNxHD (recorded content): All recorded les playback. Playback in slow motion >= 100fps
Recording
- Pre-roll record: Yes (HD 8s, 4K 2s)
- Custom timelapse: Yes
- Meta data tagging: Yes (10 tags available)
- Supported media: 2.5" SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
- Master caddy case: Master Caddy II (included)
75mm x 105mm x 12mm - Master caddy dock: 2.5" SATA to USB 2.0/3.0
- Supported applications: FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015 - XML support: FCPX XML native, FCP7 supported with
conversion (Adobe compatible) - Accessories included: Ninja Flame unit, Master Caddy II x 1,
12V-3A AC power supply, Breakout XLR cable - Optional extras:
- Accessory Kit: 2 x battery,
1 x charger, 1 x power supply, HPRC case,
USB dock, control cable, Dtap cable,
Master Caddy x 4, Power supply, Sun hood, - Power Kit: 2 x battery,
1 x charger, 1 x power supply, - Other: Atomos HDMI cable,
X-Rite i1DisplayPro calibration
All specifications correct when published, subject to E&OE.
* Available in future firmware updates
^^ Optional unit (XDCA-FS7) needed for Raw output.
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