Atomos Ninja Flame 7in. 4K HDMI Recording Monitor - (ATOMNJAFL2)

Not Available
Brand new, USA Warranty
and choose One-Day Shipping at checkout.
Item Description:
  • Travel Case for Ninja Video Recorder
  • Master Caddy II
  • AC Adapter
  • 3-Year Warranty
  • Product Features

    Camera Log (S-Log2, S-Log3, C-Log, V-Log etc) delivers maximum sensor detail in your recordings, but on monitors it looks washed out & makes judging exposure difficult. The compromise for filmmakers is to use LUT's to get the approximate "look" but sacrifice detail or use calibration cards, waveform & some ?rule of thumb? figures to set exposure correctly. AtomHDR is the solution, accurately displaying HDR Log footage with the brightness to see Log as the eye sees it.

    Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor monitoring..

    Simply pick the right mode, HDR or High Bright SDR, and get busy setting up your shot on the premium 7" display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.

    The perfect partner for DSLR and Mirrorless cameras with Log output over HDMI. From gimbal operators to Corporate to Indy filmmakers, your recordings are instantly upgraded to the defacto standard for Hollywood, Indie & Broadcasters (ProRes and DNxHR), ensuring you're not technically rejected in Post and letting you see the detail of your camera's Log on set with natural colors on the calibrated 7" AtomHDR High Bright monitor.

    The combination of high capacity media with recording direct from the sensor means that the conventional 30min barrier imposed by many cameras can be bypassed.

    Recording 4K and high frame rate HD within the camera might seem enough but unless you record with the right codec you're restricting flexibility in post and even run the risk of having your footage technically rejected. Along with the high pixel density of 4K, the Ninja Flame records higher resolution 10-bit color information, more precise yet efficient 4:2:2 color encoding and to visually lossless, edit-ready codecs like Apple ProRes or AVID DNxHR.

    Now you're recording professionally, capturing full individual frames just like film and opening up more creativity in post and grading. Additionally, bypassing internal recording also bypasses the 30min recording barrier found on many Mirrorless/DSLR cameras.

    Our flexible OS is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LOG to Rec.709 Video or upload .cube files) and options for anamorphic de-squeeze monitoring.

    Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (optional accessories) means that continuous power in the field is all but assured.

    Record audio as well as video externally on the Ninja Flame. Monitor up to 8ch of HDMI audio or 2ch analog line in on the dedicated audio meters, all locked frame accurate with adjustment for frame delay, gain adjustment and Mic level adjustment when using external microphones (3.5mm unbalanced input).

    Outside of 10-bit 4:2:2 ProRes/DNx, the Ninja Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.

    Our built-in armor enhances protection & airflow whilst the raft of accessories (2 x NP series 4-cell batteries, fast battery charger, USB3 docking station, XLR breakout cable, Lanc cable, DC to D-Tap cable, 5 x Master Caddy cases, DC adapter & HDR sun hood) and the premium HPRC flight case ensures you're ready to hit the field immediately.

    Product Specifications


    • Without batteries & media: 620g / 21.9oz
    • With batteries & media: 1064g / 37.5oz
    • Dimensions (W x H x D mm): 214 x 127 x 45mm, 8.4 x 5 x 1.8"
    • Construction: High quality lightweight ABS Polycarbonate for durability & portability, Built-in armor protection


    • Operating power: 10 - 24W
    • Compatible batteries: NP-F series and supporting accessories
    • Input voltage (battery): 6.2V to 16.8V
    • Battery time: (based on 2 x 7.4V batteries) -
      5200mAh - up to 1.5hrs (monitor & record 4K 30p)
      7800mAh - up to 2.2hrs (monitor & record 4K 30p)
    • DC In: 1 x DC in (6.2 - 16.8V)
    • Continuous power ** Patent pending: Primary-secondary battery system, Change batteries without losing power, Loop batteries continuously


    • Size: 7.1"
    • Resolution: 1920 x 1200
    • PPI: 325
    • Aspect ratio: 16:9 native
    • Color Gamut: REC709 HDTV
    • Look up table (LUT) support: 3D LUT (.cube le format)
    • Anamorphic de-squeeze: 2x, 1.5x, 1.33x, Panasonic 8:3
    • Technology: SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit


    • AtomHDR: Yes
    • Supported Log formats: Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
      Panasonic Vlog, JVC JLog, Red LogFilm
    • Supported Gamuts: Sony SGamut / SGamut3 / SGamut3.cine
      Canon Cinema / BT2020 / DCI P3 / DCI P3+
      Panasonic V Gamut
      Arri Alexa Wide Gamut
    • Bit depth: 10-bit (8+2 FRC)
    • Brightness: 1500nit (+/- 10% @ center)
    • HDR input (PQ/HLG): Yes / Yes
    • HDR output (PQ/HLG): Yes / Yes

    Video Input/Loop Out

    • HDMI: 1 x HDMI (1.4b)
    • SDI: -
    • Signal: Uncompressed true 10-bit or 8-bit 422
      (camera dependent)

    Video Output (Play Out)

    • HDMI: 1 x HDMI (1.4b)
    • SDI: -
    • Signal: Uncompressed true 10-bit or 8-bit 422
      (playback file dependent)

    Supported Loop Out Formats

    • HDMI to HDMI: 720p 50/60, 1080i 50/60,
      1080p 24/25/30/50/60/120, 2160p 24/25/30
    • SDI to SDI: -

    Video Signal Conversion

    • HDMI to SDI: -
    • SDI to HDMI: -

    Supported Codecs & Frame Rates (Record & Playback)

    • Raw Record*:
      • Sony FS5/FS7^^/FS700
        4K DCI; 24/25/30p
        4K UHD;
        2K; 24/25/30
      • Canon C300MKII/C500 CDNG
        4K DCI; 24/25/30p
        4K UHD; 24/25/30p
      • Panasonic VaricamLT CDNG*
        4K DCI; 24/25/30p
        4K UHD; 24/25/30p
    • Raw to ProRes / DNxHR 
      • Sony FS5/FS7/FS700*
      • ProRes (HQ, 422, LT)
      • DNxHR (HQX, HQ, SQ, LB)
        4K DCI; 24/25/30p
        4K UHD;
        2K; 24/25/30
      • Canon C300MKII/C500
      • ProRes (HQ, 422, LT)
      • DNxHR (HQX, HQ, SQ, LB)
        4K DCI; 24/25/30p
        4K UHD; 24/25/30p
    • Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper)
      • Codecs:
        Apple ProRes HQ, 422, LT
        AVID DNxHR HQX. HQ, SQ, LB
      • Frame rates:
        4K UHD; 24/25/30p
        1080p; 24/SF24/25/SF25/30/SF30/50/60/100^/120p^
        1080i; 50/60i
        720p; 50/60p

    Onboard Processing

    • Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown)
      60i > 24p (3:2 pulldown)
    • 4K UHD downscale for HD monitoring: Yes - Loop-out and playback

    Audio In/Out (48kHz PCM Audio)

    • HDMI: 2 or 8ch 24-bit, camera dependent
    • SDI: -
    • Audio: Line in / Mic in / Headphone out 2ch 48kHz 24-bit

    Remote Start/Stop

    • HDMI: Auto HDMI Trigger
    • Supported Protocols: Canon, Sony, Atomos Open Standard
    • SDI: -
    • Other: LANC control - Slave


    • Playlist / Genlock / LTC: Yes / No / No
    • CDNG (Recorded content): No support
    • ProRes (Recorded content): All recorded files can playback. Playback in slow motion >= 100fps
    • DNxHR / DNxHD (recorded content): All recorded les playback. Playback in slow motion >= 100fps


    • Pre-roll record: Yes (HD 8s, 4K 2s)
    • Custom timelapse: Yes
    • Meta data tagging: Yes (10 tags available)
    • Supported media: 2.5" SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit for list of tested and approved drives
    • Master caddy case: Master Caddy II (included)
      75mm x 105mm x 12mm
    • Master caddy dock: 2.5" SATA to USB 2.0/3.0
    • Supported applications: FCPX/FCP7+ / Media Composer
      5.0+ / Premiere 5.5+ / EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
      Autodesk Smoke 2015
    • XML support: FCPX XML native, FCP7 supported with
      conversion (Adobe compatible)
    • Accessories included: Ninja Flame unit, Master Caddy II x 1,
      12V-3A AC power supply, Breakout XLR cable
    • Optional extras: 
      • Accessory Kit: 2 x battery,
        1 x charger, 1 x power supply, HPRC case,
        USB dock, control cable, Dtap cable,
        Master Caddy x 4, Power supply, Sun hood,
      • Power Kit: 2 x battery,
        1 x charger, 1 x power supply,
      • Other: Atomos HDMI cable,
        X-Rite i1DisplayPro calibration

    All specifications correct when published, subject to E&OE.

    * Available in future firmware updates

    ^^ Optional unit (XDCA-FS7) needed for Raw output.

    Ninja Flame Touchscreen LCD Monitor
    1 x Master Caddy II
    12V-3A AC Power Supply
    2 x Battery
    1 x Charger
    1 x Power supply
    HPRC case
    USB dock
    Control cable
    Dtap cable
    4 x Master Caddy
    Power supply
    Sun hood
    This Kit Includes: