Panasonic LUMIX G95 | Rugged-Design Hybrid Mirrorless Camera Built for High Picture Quality Featuring 5-Axis Dual I.S. 2 and 4K Video Technology
The Panasonic LUMIX G95 Digital Single Lens Mirrorless (DSLM) camera incorporates a Four Thirds 20.3-megapixel Digital Live MOS Sensor without a low-pass filter for maximum performance. The LUMIX G95 utilizes the Micro Four Thirds lens mount standard, ideal for hybrid photographers and video bloggers (vlogging or vlog). The LUMIX G95 incorporates an advanced 5-axis Dual I.S.2 (Image Stabilizer) for even more powerful and effective blurring suppression. Combining an O.I.S. (Optical Image Stabilizer, 2-axis) and B.I.S.(Body Image Stabilizer, 5-axis), it compensates for larger movements. The LUMIX G95 also integrates an OLED LVF (Live View Finder) with 2360K-dot high resolution in approx. 1.48x / 0.74x (35mm camera equivalent) magnification capability.
A Venus Engine in the LUMIX mirrorless cameras is more capable of tracking moving subjects, and prevent out-of-focus shots even when the subject is fast-moving or when an obstacle cuts across in front of the subject. Newly added AF Sensitivity mode lets the user set the tracking sensitivity according to the shooting situation. The popular LUMIX free-angle 3.0-inch large OLED rear monitor (approximately 1,040K-dot resolution) adopts a touch control system, making shooting in high and low angles easier. The V-Log L is pre-installed in the LUMIX G95 for exceptional flexibility and wider dynamic range for color grading in the post-production process, and V-Log L features log characteristics with 12 stops of dynamic range. The LUMIX G95 mirrorless digital camera boasts a rugged design with a front structure composed of a magnesium-alloy, full-diecast front frame. Plus, splash*/dust-resistant construction with sealed joints, dials and buttons.
LUMIX G95 - The Hybrid Creators Camera
The LUMIX G95 features a host of functions for shooting photos and videos in various situations with excellent mobility.
• FOUR-THIRDS SENSOR– 20.3-megapixel Digital Live MOS Sensor without low-pass filter attains maximum performance (ISO 25600 Max sensitivity)
• LUMIX G MFT CAMERA LENS – Easy-to-use LUMIX G 12-60mm 3.5-5.6 standard focal for Micro Four Thirds Lens Mount digital mirrorless cameras
• 4K V-LOG L VIDEO – 4K 24/30p video capture plus pre-installed V-Log L offers exceptional flexibility in post-production, featuring log characteristics with 12 stops of dynamic range
• 4:2:2 HDMI OUTPUT – Real-time image output to an optional external monitor in 4:2:2 / 8-bit via an optional micro HDMI cable simultaneously while recording video
• MIC JACK – 3.5mm microphone jack supports external microphone use, such as an optional Panasonic External Stereo/Shotgun Microphone DMW-MS2
Product Features:
3.0-inch Touch Display
Adopting a static-type touch control system, the 3.0-inch OLED rear monitor with 1040K-dot high resolution features free-angle shooting. It tilts up and down by approximately 250-degree to make shooting in either high or low angle even easier.
20.3-Megapixel Resolution
Featuring a brand new 20.3-megapixel MOS sensor, and a combination of the LUMIX high-performance Venus Engine and removal of the low-pass filter, resolution improves, and more effects are minimal.
4K Video Performance Plus Vlog L
Unlimited 4K 30p video recording plus pre-installed VLOG L expands creative options. Additionally, it features high-speed video recording at 60, 90, 120 fps and a microphone/headphone jack.
Intuitive Operation
The body's grip provides stability even when shooting with one hand, and frequently used functions like white balance, ISO, and exposure compensation are positioned within easy reach.
Rugged Body for All Conditions
A magnesium alloy front frame and sealing help protect the body, dials, and buttons for a dust/splash-resistant body. (Damage can still occur if subjected to direct contact with dust and water.)
Low-shock, Low-sound Shutter Unit
An electromagnetic shutter drive greatly reduces shutter shock, which improves sharp image capture. Mechanical shutter sound is also minimized for when the situation demands discrete quiet.
OLED Viewfinder
Frame shots easily using the high-speed OLED Live Viewfinder (0.74x magnification ratio) or the convenient 3-inch free-angle touch LCD screen (1.240K-dot resolution).
Image Stabilization
Combining body and lens stabilization tech its 5-Axis Dual I.S. 2 achieves sharp and blur-less images with 5-stop correction power up to the tele-end.
Extended Battery Life
By using two batteries — one in the camera and the other in the Optional LUMIX grip (DMW-BGG1 sold separately) battery life is doubled. The grip also makes vertical angle shooting more comfortable.
USB Power Supply / USB Power Charging
During tethered shooting, a USB connection charges the battery from a portable battery charger or personal computer, a helpful convenience when shooting long videos or during studio photography.
Never Miss the Action
The LUMIX G95 offers high-speed Auto Focus (0.07 sec) using DFD technology (240fps) and enables capture of stunning images even with fast moving subjects.
Remote Control — Bluetooth 4.2 / Wi-Fi
Bluetooth 4.2 (Low Energy) enables shutter release, and video record start/stop via a smartphone or tablet using the Panasonic Image App for Android/iOS for easier social media sharing via Wi-Fi.
Capture the Moment — 4K PHOTO
4K PHOTO pulls the perfect moment from a video sequence shot at 30 fps and saves it as an 8-megapixel-equivalent high-resolution image. Don’t miss those fleeting moments!
4K PHOTO Auto Marking
The Auto Marking function helps you choose your best shots more easily. The camera detects motion or a human face and automatically sets a marker to enhance your creativity.
4K PHOTO Sequence Composition
Sequence Composition makes the 4K PHOTO feature even more creative. A unique stromotion image can be produced by synthesizing multiple 4K PHOTO images.
Post Focus / Focus Stacking
Panasonic's 4K feature enables refocusing of a photo after it is captured, by selecting the in-focus area after shooting with the Post Focus or change the depth of field with Focus Stacking.
AWBw
In Auto White Balance, a new AWBw retains a reddish tint in addition to conventional AWB (standard) and AWBc (bluish tint).
New Monochrome Options
New L. Monochrome and L. Monochrome D along with the existing Monochrome mode can combine with Grain Effect at Low, Standard, or High, enabling dynamic control for expressive black-and-white images.
Low Light AF
AF for shooting low-light, low-contrast scenes such as evening landscapes. Low Light AF can also shoot down to -4 EV situations with accurate focusing. (At ISO100, F2, AFS. 100% contrast target.)
Live View Boost
The display is brightened allowing improved framing, even in extremely dark situations.
Starlight AF
Small amounts of contrast are detected allowing focusing of starlight.
MF Assist 20x
The MF Assist display improves manual focusing of dim, tiny objects like stars.
Product Specifications:
| TYPE |
Type |
Digital Single Lens Mirrorless camera |
| Recording media |
SD Memory Card, SDHC Memory Card, SDXC Memory Card
(Compatible with UHS-I / UHS-II UHS Speed Class 3 standard SDHC / SDXC Memory Cards.) |
| Image sensor size |
17.3 x 13.0 mm (in 4:3 aspect ratio) |
| Lens mount |
Micro Four Thirds mount |
| IMAGE SENSOR |
Type |
Live MOS Sensor |
| Total pixels |
21.77 megapixels |
| Camera effective pixels |
20.30 megapixels |
| Color filter |
Primary color filter |
| Dust reduction system |
Supersonic wave filter |
| IMAGE STABILIZATION SYSTEM |
Image sensor shift type (5-axis / 5.0-stop*)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm), when H-FS12060 is used.]
Dual I.S. (5.0-stop* Dual I.S. 2 compatible)
*Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm), when H-FSA14140 is used.] |
| RECORDING SYSTEM |
Recording file format |
Still image |
JPEG (DCF, Exif 2.31), RAW |
| 4K PHOTO** |
MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))
Extracted still images: JPEG (DCF, Exif 2.31) |
| Motion picture |
MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))
AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2ch) |
| File size (Pixels) |
Still image |
[4:3] 5184x3888(L) / 3712x2784(M) / 2624x1968(S) / 3328x2496(4K PHOTO)
[3:2] 5184x3456(L) / 3712x2480(M) / 2624x1752(S) / 3504x2336(4K PHOTO)
[16:9] 5184x2920(L) / 3840x2160(M) / 1920x1080(S) / 3840x2160(4K PHOTO)
[1:1] 3888x3888(L) / 2784x2784(M) / 1968x1968(S) / 2880x2880(4K PHOTO) |
| Motion picture** MP4** |
[4K] 3840x2160 4K/30p: 100Mbps
[4K] 3840x2160 4K/24p: 100Mbps
[Full HD] 1920x1080 FHD/60p: 28Mbps
[HD] 1280x720 HD/30p: 10Mbps" |
| Motion picture** AVCHD Progressive** AVCHD** |
[Full HD] 1920x1080 FHD/60p: 28Mbps, 60p recording
[Full HD] 1920x1080 FHD/60i: 17Mbps, 60i recording
[Full HD] 1920x1080 FHD/25p: 24Mbps, 60i recording (sensor output is 30fps)
[Full HD] 1920x1080 FHD/24p: 24Mbps, 24p recording" |
| High speed video** *When Creative Video Mode is selected. |
MP4** |
[Full HD] 1920x1080 30p, 20Mbps (Sensor output is 120fps / 90fps / 60fps) |
| Aspect ratio |
4:3, 3:2, 16:9, 1:1 |
| Image quality |
RAW, RAW+Fine, RAW+Standard, Fine, Standard |
| Color space |
sRGB, AdobeRGB |
| Continuous recordable time (Motion picture)** |
AVCHD [FHD/60p, FHD/60i]: Approx. 100 min (rear monitor, LVF) with H-FS12060
MP4 [4K/30p]: Approx. 90 min (rear monitor, LVF) with H-FS12060 |
| Actual recordable time (Motion picture)** |
AVCHD [FHD/60p, FHD/60i]: Approx. 50 min (rear monitor, LVF) with H-FS12060
MP4 [4K/30p]: Approx. 45 min (rear monitor, LVF) with H-FS12060 |
| VIEWFINDER |
Type |
OLED Live View Finder |
| Pixels |
Approx. 2,360k dots |
| Field of view / Magnification |
Approx. 100% / Approx. 1.48x / 0.74x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1 |
| Eye point / Diopter adjustment |
Approx. 20 mm / -4.0 - +4.0 (dpt) |
| Eye sensor |
Yes |
| REAR MONITOR |
Type |
OLED monitor with static touch control |
| Monitor size |
Free-angle, 7.66cm (3.0-inch), 3:2 aspect |
| Pixels |
Approx. 1,040k dots |
| Field of view |
Approx. 100% |
| FOCUS |
Type |
Contrast AF system |
| DFD technology |
Yes |
| Focus mode |
AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF |
| AF mode |
Face/Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint
(Full area touch is available) (Scalable AF frame size and flexible AF position) |
| AF detective range |
EV -4 - 18 (ISO100 equivalent) |
| Starlight AF |
Yes |
| AF assist lamp |
Yes |
| AF lock |
Yes (AF/AE LOCK button) |
| Post Focus / Focus Stacking |
Yes / Yes |
| Others |
AF Sensitivity, AF-ON, Shutter AF, Half Press Release, Focus/Shutter Priority, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Guide, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter, Focus Switching for Vert/Hor, Focus Ring Lock |
| EXPOSURE CONTROL |
Light metering system |
1728-zone multi-pattern sensing system |
| Light metering mode |
Multiple / Center Weighted / Spot |
| Metering range |
EV 0 - 18 (F2.0 lens, ISO100 equivalent) |
| Exposure mode |
Program AE, Aperture Priority AE, Shutter Priority AE, Manual Exposure |
| ISO sensitivity (Standard output sensitivity) |
Still image: Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step)
Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 (Changeable to 1/3 EV step) |
| Exposure compensation |
1/3 EV step, ±5EV (±3 EV for motion picture) |
| AE lock |
Yes (AF/AE LOCK button) |
| WHITE BALANCE |
White balance |
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 |
| White balance adjustment |
Blue/Amber bias, Magenta/Green bias |
| Color temperature setting |
2500-10000K in 100K |
| SHUTTER |
Type |
Focal-plane shutter |
| Shutter speed |
Still image: Bulb (Max. 30 minutes), 1/4,000 - 60
Electronic first curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
Electronic shutter: 1/16,000 - 1
Motion picture: 1/16,000 - 1/25
|
| Live View Composite |
1/2 - 60 |
| Self timer |
10sec, 3 images / 2sec / 10sec |
| Remote control |
Remote control by DMW-RS2 (sold separately) |
| Silent mode / Shutter type |
Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic) |
| BRACKET |
AE bracket |
3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst |
| Aperture bracket |
3, 5 or all positions in 1 EV step |
| Focus bracket |
1 to 999 images, focus steps can be set in 10 levels |
| White balance bracket |
3 images in blue/amber axis or in magenta/green axis, color temperature setting |
| PANORAMA SHOT |
Yes (Standard / Wide) |
| BURST SHOOTING |
Burst speed |
[Mechanical shutter / Electronic first curtain shutter]
AFS/MF: H: 9 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-FS12060 is used.
AFF/AFC: H: 6 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) *When H-FS12060 is used.
[Electronic shutter]
AFS/MF: H: 9 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFF/AFC: H: 6 frames/sec, M: 6 frames/sec (with Live View), L: 2 frames/sec (with Live View) |
| Number of recordable images |
More than 45 images (when there are RAW files with the particular speed)
More than 300 images (when there are no RAW files)
(depending on memory card type, aspect, picture size and compression) |
| 4K PHOTO** |
Burst speed |
30 frames/sec |
| Exif information |
Yes (Each JPEG image cropped out of the 4K burst file complies with EXIF.) |
| TIME LAPSE SHOT |
Yes |
| STOP MOTION ANIMATION |
Yes |
| FLASH |
Flash type |
TTL Built-in-Flash, GN9.0 equivalent (ISO200 ·m) / GN6.4 equivalent (ISO100 ·m) (Reference), Built-in Pop-up |
| Flash mode |
Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off *For iA, iA+ only. |
| Synchronization speed |
Less than 1/200 second |
| Flash output adjustment |
1/3EV step ±3EV |
| Flash synchronization |
1st. Curtain Sync., 2nd Curtain Sync. |
| Wireless control |
Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch |
| LIVE VIEW |
Digital zoom |
2x, 4x |
| Extra Tele Conversion |
Still image: Max. 2x
Motion picture: 2.7x (FHD), 4.0x (HD) |
| Other functions |
Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Center Marker, Highlight display (Still image / motion picture), Zebra Pattern (Still image / motion picture) |
| DIRECTION DETECTION FUNCTION |
Yes |
| FUNCTION BUTTON |
REC |
Wi-Fi / Q.MENU / Video Record / LVF/Monitor Switch / LVF/Monitor Disp. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot "4K PHOTO" / Operation Lock / Focus Ring Lock / Dial Operation Switch / Photo Style / Filter Effect / Aspect Ratio / Picture Size / Quality / AFS/AFF / Metering Mode / Burst Rate / 4K PHOTO / Self Timer / Bracket / Highlight Shadow / i. Dynamic / i. Resolution / Min. Shtr Speed / HDR / Shutter Type / Flash Mode / Flash Adjust. / Wireless Flash Setup / Ex. Tele Conv. / Digital Zoom / Stabilizer / E-Stabilization (Video) / I.S. Lock (Video) / 4K Live Cropping / Snap Movie / Motion Pic. Set / Picture Mode in Rec. / Sound Rec Level Adj. / Sound Rec Level Disp. / Mic. Directivity Adjust / Silent Mode / Peaking / Histogram / Guide Line / Zebra Pattern / Monochrome Live View / Constant Preview / Live View Boost / Rec Area / Step Zoom / Zoom Speed / Exposure Comp. / Sensitivity / White Balance / AF Mode/MF / Rec/Playback Switch / Restore to Default |
| PLAY |
Wi-Fi / LVF/Monitor Switch / Rec/Playback Switch / 4K PHOTO Play / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / RAW Processing / 4K PHOTO Bulk Saving / Off / Restore to Default |
| PHOTO STYLE |
Standard / Vivid / Natural / Monochrome / L. Monochrome / L. Monochrome D / Scenery / Portrait / Custom / Cinelike D / Cinelike V / V-LogL |
| FILTER |
Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine*
*For photos only. |
| PRINT |
Direct print |
PictBridge compatible |
| INTERFACE |
USB |
USB 2.0 Micro-B |
| HDMI*** |
Monitor-through |
4:2:2 8bit / 4:2:0 8bit |
| Playback |
microHDMI TypeD / VIERA Link
Video: Auto / 4K / 1080p / 1080i / 720p / 576p
Audio: Stereo |
| Audio video output |
No |
| Remote input |
φ2.5mm |
| External microphone input |
φ3.5mm
Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately). |
| Headphone output |
φ3.5mm |
| Microphone |
Stereo, Wind Noise Canceller: OFF / Low* / Standard / High *When attaching DMW-MS2 (sold separately). |
| Speaker |
Monaural |
| WIRELESS |
Wi-Fi |
IEEE 802.11b/g/n, 2412 MHz - 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode |
| Bluetooth |
Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) |
| LANGUAGE |
OSD language |
Japanese, English, German, French, Italian, Spanish, Portuguese, Chinese (Traditional) |
| POWER |
Battery |
Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included)
USB power supply, USB power charging |
| Battery life (CIPA standard) |
Approx. 290 images (rear monitor), 290 images (LVF), 1000 images (Power Save LVF mode*) with H-FS12060
*Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
| Battery grip |
DMW-BGG1 (sold separately) |
| DIMENSIONS / WEIGHT |
Dimensions (W x H x D) |
130.4 x 93.5 x 77.4 mm / 5.14 x 3.69 x 3.05 inch (excluding protrusions) |
| Weight |
Approx. 536g / 1.19 lb (SD card, Battery, Body)
Approx. 484g / 1.07 lb (Body only)
Approx. 746g / 1.65 lb (SD card, Battery, H-FS12060 lens included) |
| DUST AND SPLASH RESISTANT* |
Yes.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. |
| OPERATING ENVIRONMENT |
Operating temperature |
0? to 40? (32°F to 104°F) |
| Operating humidity |
10%RH to 80%RH |
| STANDARD ACCESSORIES |
Software |
Playback / Editing |
· The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.0AE is available for download at Panasonic website using computer connected to the Internet.
https://panasonic.jp/support/software/photofun/download/d_pfs10ae.html (For Windows)
· The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet.
https://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac) |
| Standard accessories |
DC-G95M Kit
Body Cap, Hot Shoe Cover, Battery Pack, Battery Charger (AC Adaptor, USB connection Cable included), USB Connection Cable, Shoulder Strap, Lens Cap, Lens Hood, Lens Rear Cap
· Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet. |
| INTERCHANGEABLE LENS-1 |
Lens Name |
LUMIX G VARIO 12-60mm / F3.5-5.6 ASPH. / POWER O.I.S. |
| Lens Construction |
11 elements in 9 groups (3 aspherical lenses, 1 ED lens) |
| Nano Surface Coating |
- |
| Mount |
Micro Four Thirds mount |
| Optical Image Stabilizer |
Yes (POWER O.I.S.) |
| Focal Length |
f=12-60mm (35mm camera equivalent 24-120mm) |
| Aperture Type |
7 diaphragm blades / Circular aperture diaphragm |
| Maximum Aperture |
F3.5 (Wide) - F5.6 (Tele) |
| Minimum Aperture |
F22 |
| Closest Focusing Distance |
0.20m / 0.66ft (Wide), 0.25m / 0.82ft (Tele) |
| Maximum magnification |
Approx. 0.27x / 0.54x (35mm camera equivalent) |
| Diagonal Angle of View |
84.05°(Wide) to 20.44°(Tele) |
| Filter Size |
φ58mm / 2.3inch |
| Max. Diameter |
φ66.0mm / 2.6inch |
| Overall Length |
Approx. 71mm / 2.80inch (from the tip of the lens to the base side of the lens mount) |
| Weight |
Approx. 210g / 7.41oz (excluding lens cap, lens rear cap and lens hood) |
| Standard Accessories |
Lens cap, Lens rear cap, Lens hood, Lens storage bag |
| NOTE |
** About motion picture recording / 4K PHOTO recording
- Use a card with SD Speed Class with "Class 4" or higher when recording motion pictures in [AVCHD] or [MP4 (under 28Mbps)].
- Use an SD memory card with SD Speed Class with "UHS-I / UHS-II UHS Speed Class 3 (U3)" when recording motion pictures with [MP4] in [4K] [High Speed Video] or [4K PHOTO].
(SD speed class is the speed standard regarding continuous writing.)
- MP4 motion pictures with [MP4] in [4K]:
- When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately.
- When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately.
- MP4 motion pictures with [MP4] in [FHD] [HD]:
- You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately.
- When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down.
*** For [4K] video output, use an HDMI cable that has the HDMI logo on it, and that is described as"4K compatible". |
